Living and Working in Ljubljana

We live in Ljubljana because it lets us be left alone. That’s not a complaint. It’s the point.
This is a city where you can work without constantly negotiating your presence. You don’t need to explain what you do. You don’t need to perform creativity in public. You move through the city, do the work, go home. Things get done.
For us, that matters more than atmosphere, scenes, or who knows whom.

Below the Castle
Early afternoon
The Dragon
A city symbol

Familiar Ground, No Illusions
We didn’t arrive here looking for inspiration. We’ve worked in Ljubljana before. Films, photography, long days that start early and end quietly. We know the pace, the limits, the shortcuts, the parts that function and the ones that don’t.
That familiarity removes noise.
You’re not romanticizing the place when you already understand it. You’re using it.
Attention is optional. Intent is not.
— Daniel & Maruša
Here’s what this entry holds:
- A way of moving through Ljubljana without needing attention or permission
- How familiar streets quietly shape how we work and observe
- Why distance, routine, and scale matter more than inspiration
- Surroundings that support daily life without advertising themselves
- A city that allows work to happen without turning it into a performance

We spend most of our time moving through the city and working. Ljubljana is where that happens. It’s familiar, practical, and calm enough to let days repeat without friction. That’s usually all we need.
A City That Allows Distance
Ljubljana doesn’t demand closeness. You can stay slightly removed and still exist comfortably. People are around, but they don’t need your attention. They pass through the frame. They’re part of the landscape, not the subject.
That distance shapes how we see things.
It’s one of the reasons street work becomes more present than anything staged. Observation works better here than interaction. You notice gestures, routines, repetition. Nothing dramatic, nothing forced.
Just daily life, unfolding without asking to be documented.

Passing Through
On the move
In the Shade
A little pause

Scale Matters
The city is small enough to stay manageable and large enough to stay anonymous. You can walk for hours without feeling watched. You can return to the same streets and still notice changes. Light, weather, construction, faces aging.
Projects don’t turn into logistics exercises. You’re not spending energy on access, permissions, or travel time. You can focus on decisions instead of obstacles.
That efficiency leaves room for thinking.
Surroundings Without the Pitch



Ljubljana has strong surroundings if you pay attention, but it doesn’t advertise them loudly.
Certain streets naturally lead you to good food without making a spectacle of it. Some corners hold quiet boutiques that feel considered rather than curated. Mediterranean habits appear subtly. In how people eat, sit, and move through the day.
You don’t need to name places for them to matter. They work because they belong there, not because they want to be noticed.

Why It Works for Us
Ljubljana works because it doesn’t interfere.
It lets us stay focused, reserved, and consistent. It supports long-term work without asking for constant visibility. You can plan, edit, walk, think, and repeat without turning life into content.
The city doesn’t reward loudness.
It rewards showing up, doing the work, and leaving space around it. That’s enough. And for what we do, it’s exactly right.



